Background information
Singer and producer Stephen Coates
Origin	United Kingdom
Genres	Indie pop, lounge, electro swing, dark cabaret, music hall, hauntology
Years active	1999–present
Labels
Website	www.tuesdayweld.com
Members	Stephen Coates Jacques Van Rhijn Clive Painter Don Brosnan Matt Snowden Josephine Lloyd
Past members	David Guez Brian Lee Jed Woodhouse Geraldine McEwan

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The Real Tuesday Weld are a British band, founded by lead singer and producer Stephen Coates in 1999. They have released six albums, many singles and EPs and many tracks on compilations. Their combination of big-band jazz era sounds with electronica and vintage style animations has been influential on the current range of electro swing artists and DJs.^[1]

The band is named after American film actress Tuesday Weld. Coates once had a dream involving Weld and 1930s vocalist Al Bowlly, and cites it as inspiration for the band's particular style.

At present, the band is signed to Crammed (Europe, Australasia, South America) and Six Degrees Records (North America). They have previously released recordings with Antique Beat, Kindercore Records, Dreamy Records, Bambini Records, PIAS Recordings and Motorway Records. A German alt-country band by the name of Tuesday Weld that released a CD 'Starscene 98' on Glitterhouse Records is not related.

'The Clerkenwell Kid' is often cited as the band's producer / re-mixer but is an alter ego for Coates himself. The 2009 album, 'The Clerkenwell Kid: Live at the End of the World' is an imaginary live recording of a concert on the 'eve of the apocalypse'. Buzzluck online casino new player ndb. The Clerkenwell Kid is also the main character in a London based mythology Coates has developed around his love of the city's history and stories.

Their live shows are usually accompanied by visuals in the form of bespoke films and animations.

The band's album 'The Last Werewolf'is a soundtrack to the novel of the same name (2012) by childhood friend Glen Duncan, reprising their joint work on Duncan's novel 'I, Lucifer' (2004).In 2010 – 2011, Coates also co-wrote and produced an album 'Horseplay' as 'Lazarus and the Plane Crash' – a collaboration with Joe Coles of UK cult garage rockers The Guillotines which was released on Antique Beat in 2012. Every year since 2003 the band have released a Christmas ep of songs and spoken word elements.

According to the band's website, for the last few years Coates has been working on scores for indie features, Russian music related projects and various arts events but is recording a set of albums for release in 2019.

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5Discography

Film scoring[edit]

The band have worked with many animators and filmmakers, particularly the Russian animator Alex Budovsky and the American animator George Fort on several international award-winning films. Their 'Bathtime in Clerkenwell' cut (from the 'I, Lucifer' album) appears as the soundtrack for Budovsky's innovative multi-award-winning short film of the same title.

Coates has written music for various independent features including Paul Cotter's Bomber and the US indies 'Meeting Spencer' (2009), 'The Suspect' (2013) and Meet Me in Montenegro (2014) as well as the French movie Encore heureux (2016) Directed by Benoit Graffin . He has also written for several documentaries and short films including US cult series 'The Midnight Archive', 'The Man Who Married Kittens' a biopic of anthropomorphic taxidermist Walter Potter, several 'Everyman' programs for BBC 2 and most recently for a series of documentaries made by Amnesty International about the Syrian conflict

The band have had many existing tracks used in films, television shows and commercials. Their song 'I Love the Rain' was used in a commercial for Chevy in 2011. The 2013 Apple iPad commercial featured the piano instrumental 'The Lupine Waltz' from The Last Werewolf album. The song 'Last Words' (from the album 'The London Book of the Dead') is cut throughout and plays over the final scenes of Sony pictures' 2008 film Nick and Norah's Infinite Playlist by indie cult director Peter Sollett (Raising Victor Vargas).

Other music[edit]

Coates has re-mixed several artists including Duke Ellington, Count Basie, David Byrne and The Puppini Sisters in their burlesque style re-make of 'Crazy in Love' by Beyoncé Knowles. They have collaborated widely with artists including Brazilian electronic chanteuse Cibelle, English nu-folk diva Mara Carlyle, Guillotines vocalist Joe Coles, Martyn Jacques, leader of The Tiger Lillies, Pinkie Maclure and Claudia Brücken of Propaganda and ACT.

In 2007, he was commissioned to write music for the Rothko room at the Tate Modern, London and the band re-scored the surrealist cult film Dreams That Money Can Buy for the British Film Institute.^[2] Other commissioned arts projects include 'Propaganda from the State of Love' at London's Victoria and Albert museum for the 2008 'Cold War Modern' exhibition.

In 2010/2011, he was commissioned to write and produce the original songs for the Rockstar Games title L.A.Noire. The recordings feature the German singer Claudia Brücken of the band Propaganda.

X-Ray Audio[edit]

In 2014, Coates launched The X-Ray Audio Project an initiative to provide a resource of information about 'Roentgenizdat' Soviet bootleg recordings of forbidden music made on used X-Rays in the 1940s and 1950s.^[3] The project archives visual images, information, audio recordings and interviews made during travels in Russia with photographer Paul Heartfield as the basis for a book 'X-Ray Audio: The Strange Story of Soviet Music on the Bone' published in November 2015 by Strange Attractor Press.

The pair have made a short documentary film of the same name with UK organisation The Vinyl Factory and the longer form 'Roentgenizdat' which was awarded the best documentary prize at the Russian Film Festival in London 2017.

They hold multimedia events where Coates tells the story of the Soviet bootleggers and they cut new X-Ray records from live performances as a demonstration of the process involved in the UK, US and Europe working with various musicians including Thurston Moore, Marc Almond and Barry Adamson. Coates delivered a talk on the project at Tedx in Krakow in June 2015.

The project has become a major touring exhibition showing in London, Birmingham, Belfast, Trieste, Moscow, St Petersburg and Tel Aviv. It is due to show in Tokyo in April 2019.

In March 2019, as The Bureau of Lost Culture, Coates and Heartfield cut audio by Massive Attack, Jonsi, Noam Chomsky amongst others onto X-ray for 'The Library of Dangerous Thoughts' project by the University of the Underground^[4]

Broadcasting and other work[edit]

Outside music, Coates has written for various publications and radio and worked with various arts organisations. His label Antique Beat presents the monthly 'Salon for the City' in Westminster and curates various arts events including '32 Londoners' and London Month of the Dead' based around the city's history and mythology.

His involvement with and writing about the tomb of Hannah Courtoy in Brompton Cemetery has encouraged speculation that it contains a working time machine.^[5] He has written for Londonist, The Quietus, Calvert Journal, GARAGE magazine, Collecteurs Magazine and other publications and has narrated voice overs for various animations.

In 2008, he wrote and presented a series